This is Su Zhong's second VR project, which combines imagery, dance and installation to create a kind of dialogue. It is an attempt at a directorial approach that falls somewhere between film and theatre. All of the scenes are taken from the paintings of Edward Hopper.

Edward Hopper (1882 - 1967) is one of the best known and most admired of American artists. He found poetry in quiet, private moments set in unexceptional places, such as anonymous hotel rooms, diners (Nighthawks), gas stations, and traditional houses. Within these urban or small-town spaces, Hopper created iconic images of American life that present us with the possibility of narrative, but ultimately remain enigmatic. Rather than depict a specific story, they suggest a universal, shared experience. This film traces Hopper's varied influences, from French impressionism to the gangster films of the 1930s. The documentary uses archival photos and film, specially shot footage of locations painted by Hopper in New York and the New England coast, and interviews with artists Eric Fischl and Red Grooms, scholars, and curators. Narrated by Steve Martin

Contestants are pitched unique products by convincing entrepreneurs – some of whom are showcasing real business ventures, while the others are “Snake Oil Salesmen,” whose products are fake.

An erotic film about the sexual conduct of a business trip massage and sisters.

Meet the Cutters - a blue collar, Midwestern family determined to keep their oil company alive amidst Ohio's aggressive oil boom.

Black Comedy short

In Igor Smola’s speculative eco-doc, the pumpjacks, pipes and coolers that extract oil from the earth seem to speak directly to the viewer, narrating their experiences of harvesting the fuel upon which humans have become so critically dependent. Drawing on the thoughts of philosopher Reza Negarestani, My Name is Oil presents the substance as a metaphysical entity with seemingly mystical qualities, channelling the spirits of the many plants and animals whose decay has facilitated the creation of this apparently miraculous material. Capable of seeing the future, the rig’s machinery attempts to alert its human operators to a looming disaster, but caught up in their business — and distracted by the camera — the workers whose lives hang in the balance seem unable to tune into their frequency.

Behind the scenes of Edward Scissorhands

A lawyer is accused of rape by one of his female associates. He denies it, but his friends, neighbors and associates are split on whether they trust him or not.

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